98 bars of 4/4 at 149 BPM, about 3:06 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 27-46 -- 24.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 3 times: bars 66, 76 and 80.
98 bars across 7 sections: 71 keep time, 3 are fills, 1 is a stop and 17 are silent. The longest unbroken stretch of time is bars 26-46.
149 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in how many notes a second it asks for. The beat itself is 6 out of 100; the rest of the number is everything around it.
98 bars, about 3:06 at the written tempo. The course breaks it into 29 exercises over 10 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 3 times: bars 66, 76 and 80.