129 bars at 180 BPM -- fast, and 2:51 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13, 15-17 and 19, and 11 more places -- 12.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 34 times: bars 4, 8, 12, 14, 20, 26 and 28 more.
10 more fills are written out on the fills page.
129 bars across 16 sections: 63 keep time, 34 are fills, 13 are stops and 4 are silent. The longest unbroken stretch of time is bars 74-88.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
129 bars, about 2:51 at the written tempo. The course breaks it into 56 exercises over 14 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 34 times: bars 4, 8, 12, 14, 20, 26 and 28 more.