123 bars of 4/4 at 134 BPM, about 3:36 of playing, on crash, ride, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 31-33, 35-37 and 39 -- 6.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 39 times: bars 17, 18, 26, 27, 28, 29 and 33 more.
14 more fills are written out on the fills page.
123 bars across 14 sections: 51 keep time, 39 are fills, 16 are stops and 10 are silent. The longest unbroken stretch of time is bars 1-8.
134 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
123 bars, about 3:36 at the written tempo. The course breaks it into 45 exercises over 13 sittings, about 25 minutes each.
crash, ride, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 39 times: bars 17, 18, 26, 27, 28, 29 and 33 more.