91 bars of 4/4 at 130 BPM, about 2:48 of playing, on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 7-9, 15-16 and 21, and 9 more places -- 27.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 15 times: bars 1, 2, 10, 18, 19, 29 and 9 more.
4 more fills are written out on the fills page.
91 bars across 9 sections: 53 keep time, 15 are fills and 12 are stops. The longest unbroken stretch of time is bars 47-55.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
91 bars, about 2:48 at the written tempo. The course breaks it into 31 exercises over 8 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 15 times: bars 1, 2, 10, 18, 19, 29 and 9 more.