111 bars of 4/4 at 120 BPM, about 3:42 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 33-35, 37-39 and 58-60, and 7 more places -- 25.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 10 times: bars 4, 16, 30, 31, 41, 45 and 4 more.
111 bars across 8 sections: 87 keep time, 10 are fills and 4 are stops. The longest unbroken stretch of time is bars 67-89.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
111 bars, about 3:42 at the written tempo. The course breaks it into 32 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 10 times: bars 4, 16, 30, 31, 41, 45 and 4 more.