136 bars of 4/4 at 135 BPM, about 3:52 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 58-68 -- 8.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 60 times: bars 8, 9, 10, 11, 12, 16 and 54 more.
12 more fills are written out on the fills page.
136 bars across 10 sections: 31 keep time, 60 are fills and 33 are stops. The longest unbroken stretch of time is bars 59-68.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
136 bars, about 3:52 at the written tempo. The course breaks it into 50 exercises over 16 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 60 times: bars 8, 9, 10, 11, 12, 16 and 54 more.