90 bars, 5:04, at 71 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 23, 25 and 27, and 8 more places -- 17.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 17 times: bars 34, 38, 40, 42, 44, 46 and 11 more.
7 more fills are written out on the fills page.
90 bars across 12 sections: 38 keep time, 17 are fills and 23 are silent. The longest unbroken stretch of time is bars 23-33.
71 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
90 bars, about 5:04 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 17 times: bars 34, 38, 40, 42, 44, 46 and 11 more.