16 bars of 3/4 -- not four -- at 73 BPM, 0:43 of playing on crash, ride, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-7 -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
1 fill to learn, played 5 times: bars 8, 9, 10, 11 and 12.
1 more fill is written out on the fills page.
20 bars across 2 sections: 7 keep time, 5 are fills, 3 are stops and 5 are silent. The longest unbroken stretch of time is bars 1-7.
73 BPM, in 3/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
16 bars, about 0:43 at the written tempo. The course breaks it into 5 exercises over 2 sittings, about 22 minutes each.
crash, ride, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 5 times: bars 8, 9, 10, 11 and 12.