73 bars of 4/4 at a walking 100 BPM, 2:55 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 41-43, 45-47 and 49-55 -- 22.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 15 times: bars 21, 22, 26, 30, 31, 32 and 9 more.
2 more fills are written out on the fills page.
73 bars across 8 sections: 33 keep time, 15 are fills, 4 are stops and 16 are silent. The longest unbroken stretch of time is bars 42-56.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
73 bars, about 2:55 at the written tempo. The course breaks it into 24 exercises over 8 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 15 times: bars 21, 22, 26, 30, 31, 32 and 9 more.