121 bars at 175 BPM -- fast, and 2:46 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 4, 6 and 8, and 8 more places -- 22.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 34 times: bars 1, 2, 10, 18, 19, 20 and 28 more.
12 more fills are written out on the fills page.
121 bars across 10 sections: 72 keep time, 34 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 59-70.
175 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
121 bars, about 2:46 at the written tempo. The course breaks it into 47 exercises over 13 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 34 times: bars 1, 2, 10, 18, 19, 20 and 28 more.