344 bars of 4/4 at 150 BPM, about 9:10 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 69, 130 and 135-136, and 10 more places -- 4.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
47 fills to learn, played 82 times: bars 1, 9, 14, 15, 16, 17 and 76 more.
43 more fills are written out on the fills page.
344 bars across 42 sections: 177 keep time, 82 are fills, 32 are stops and 9 are silent. The longest unbroken stretch of time is bars 2-8.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
344 bars, about 9:10 at the written tempo. The course breaks it into 173 exercises over 49 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
47 fills to learn, played 82 times: bars 1, 9, 14, 15, 16, 17 and 76 more.