183 bars of 4/4 at a walking 100 BPM, 7:18 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 119-150 -- 17.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
25 fills to learn, played 38 times: bars 4, 8, 12, 16, 18, 20 and 32 more.
21 more fills are written out on the fills page.
183 bars across 16 sections: 100 keep time, 38 are fills, 28 are stops and 4 are silent. The longest unbroken stretch of time is bars 120-150.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 7 out of 100; the rest of the number is everything around it.
183 bars, about 7:18 at the written tempo. The course breaks it into 66 exercises over 16 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
25 fills to learn, played 38 times: bars 4, 8, 12, 16, 18, 20 and 32 more.