111 bars of 4/4 at a walking 108 BPM, 4:06 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 25-26, 29-30 and 33-34, and 7 more places -- 18% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 7 times: bars 39, 55, 63, 70, 71, 87 and 1 more.
1 more fill is written out on the fills page.
111 bars across 9 sections: 88 keep time, 8 are fills and 3 are stops. The longest unbroken stretch of time is bars 88-109.
108 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
111 bars, about 4:06 at the written tempo. The course breaks it into 31 exercises over 12 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 39, 55, 63, 70, 71, 87 and 1 more.