107 bars of 3/4 -- not four -- at 110 BPM, 3:17 of playing on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 67-73, 75-81 and 83-89 -- 21.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 17 times: bars 12, 19, 20, 26, 28, 30 and 11 more.
8 more fills are written out on the fills page.
107 bars across 12 sections: 68 keep time, 17 are fills, 2 are stops and 8 are silent. The longest unbroken stretch of time is bars 68-81.
110 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
107 bars, about 3:17 at the written tempo. The course breaks it into 44 exercises over 11 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 17 times: bars 12, 19, 20, 26, 28, 30 and 11 more.