86 bars of 4/4 at a walking 80 BPM, 4:17 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 29-35, 55-56 and 58-60, and 2 more places -- 19.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 20 times: bars 24, 28, 36, 49, 52, 53 and 14 more.
6 more fills are written out on the fills page.
86 bars across 10 sections: 41 keep time, 20 are fills, 2 are stops and 15 are silent. The longest unbroken stretch of time is bars 29-35.
80 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
86 bars, about 4:17 at the written tempo. The course breaks it into 31 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 20 times: bars 24, 28, 36, 49, 52, 53 and 14 more.