154 bars of 4/4 at 135 BPM, about 3:58 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10-11, 14 and 19-20, and 1 more place -- 4.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
22 fills to learn, played 41 times: bars 16, 24, 40, 44, 50, 52 and 35 more.
18 more fills are written out on the fills page.
154 bars across 18 sections: 53 keep time, 42 are fills, 39 are stops and 2 are silent. The longest unbroken stretch of time is bars 7-12.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 97 out of 100; the rest of the number is everything around it.
154 bars, about 3:58 at the written tempo. The course breaks it into 75 exercises over 25 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 41 times: bars 16, 24, 40, 44, 50, 52 and 35 more.