132 bars of 4/4 at 138 BPM, about 3:50 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 41-43, 45-47 and 50-51, and 5 more places -- 17.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 11 times: bars 24, 28, 36, 44, 64, 68 and 5 more.
2 more fills are written out on the fills page.
132 bars across 13 sections: 60 keep time, 11 are fills, 31 are stops and 18 are silent. The longest unbroken stretch of time is bars 118-132.
138 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
132 bars, about 3:50 at the written tempo. The course breaks it into 42 exercises over 16 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 11 times: bars 24, 28, 36, 44, 64, 68 and 5 more.