136 bars of 4/4 at 130 BPM, about 4:10 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 102-133 -- 24.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 8 times: bars 45, 53, 61, 69, 77, 85 and 2 more.
136 bars across 10 sections: 69 keep time, 9 are fills, 48 are stops and 4 are silent. The longest unbroken stretch of time is bars 103-133.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 31 out of 100; the rest of the number is everything around it.
136 bars, about 4:10 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 8 times: bars 45, 53, 61, 69, 77, 85 and 2 more.