120 bars, 6:24, at 75 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 87-89, 91-93 and 103-118 -- 21% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 12 times: bars 28, 32, 36, 44, 45, 46 and 6 more.
2 more fills are written out on the fills page.
120 bars across 9 sections: 82 keep time, 12 are fills, 3 are stops and 15 are silent. The longest unbroken stretch of time is bars 104-118.
75 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
120 bars, about 6:24 at the written tempo. The course breaks it into 28 exercises over 10 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 12 times: bars 28, 32, 36, 44, 45, 46 and 6 more.