103 bars of 3/4 -- not four -- at 91 BPM, 3:23 of playing on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 7-9, 11-13 and 43-45, and 9 more places -- 24% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 21 times: bars 10, 14, 33, 34, 38, 42 and 15 more.
8 more fills are written out on the fills page.
103 bars across 12 sections: 58 keep time, 21 are fills, 4 are stops and 7 are silent. The longest unbroken stretch of time is bars 19-32.
91 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
103 bars, about 3:23 at the written tempo. The course breaks it into 39 exercises over 13 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 21 times: bars 10, 14, 33, 34, 38, 42 and 15 more.