98 bars of 4/4 at a walking 98 BPM, 4:00 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 3, 7 and 26-29, and 6 more places -- 31.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 34 times: bars 1, 5, 9, 11, 12, 15 and 28 more.
5 more fills are written out on the fills page.
98 bars across 12 sections: 38 keep time, 34 are fills and 11 are stops. The longest unbroken stretch of time is bars 78-84.
98 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
98 bars, about 4:00 at the written tempo. The course breaks it into 34 exercises over 9 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 34 times: bars 1, 5, 9, 11, 12, 15 and 28 more.