125 bars of 4/4 at 123 BPM, about 4:04 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 33, 35 and 37, and 12 more places -- 13.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 39 times: bars 8, 9, 10, 11, 12, 13 and 33 more.
16 more fills are written out on the fills page.
125 bars across 13 sections: 55 keep time, 39 are fills, 3 are stops and 14 are silent. The longest unbroken stretch of time is bars 69-75.
123 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
125 bars, about 4:04 at the written tempo. The course breaks it into 54 exercises over 17 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 39 times: bars 8, 9, 10, 11, 12, 13 and 33 more.