230 bars of 4/4 at 120 BPM, about 7:18 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 142, 144 and 146, and 1 more place -- 14.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 53 times: bars 2, 4, 5, 6, 7, 8 and 47 more.
16 more fills are written out on the fills page.
230 bars across 22 sections: 140 keep time, 53 are fills, 7 are stops and 3 are silent. The longest unbroken stretch of time is bars 148-177.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
230 bars, about 7:18 at the written tempo. The course breaks it into 90 exercises over 31 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 53 times: bars 2, 4, 5, 6, 7, 8 and 47 more.