101 bars of 4/4 at a walking 101 BPM, 3:59 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 26-28, 51-52 and 54, and 7 more places -- 23.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 20 times: bars 22, 24, 25, 32, 33, 41 and 14 more.
7 more fills are written out on the fills page.
101 bars across 8 sections: 53 keep time, 20 are fills, 1 is a stop and 16 are silent. The longest unbroken stretch of time is bars 92-98.
101 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
101 bars, about 3:59 at the written tempo. The course breaks it into 35 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 20 times: bars 22, 24, 25, 32, 33, 41 and 14 more.