22 bars of 7/4 -- not four -- at 125 BPM, 1:04 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 12-13 -- 8.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 13 times: bars 8, 11, 14, 15, 16, 17 and 7 more.
45 bars across 4 sections: 10 keep time, 13 are fills and 21 are silent. The longest unbroken stretch of time is bars 2-7.
125 BPM, in 7/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 69 out of 100; the rest of the number is everything around it.
22 bars, about 1:04 at the written tempo. The course breaks it into 9 exercises over 3 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 13 times: bars 8, 11, 14, 15, 16, 17 and 7 more.