102 bars of 4/4 at 122 BPM, about 3:07 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 85, 87 and 90-91, and 4 more places -- 10.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 39 times: bars 48, 49, 50, 51, 52, 54 and 33 more.
6 more fills are written out on the fills page.
113 bars across 12 sections: 53 keep time, 39 are fills, 2 are stops and 12 are silent. The longest unbroken stretch of time is bars 1-16.
122 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
102 bars, about 3:07 at the written tempo. The course breaks it into 42 exercises over 12 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 39 times: bars 48, 49, 50, 51, 52, 54 and 33 more.