89 bars of 4/4 at 119 BPM, about 2:58 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 6-7, 10 and 12, and 14 more places -- 30.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 20 times: bars 4, 8, 16, 18, 20, 26 and 14 more.
1 more fill is written out on the fills page.
89 bars across 11 sections: 53 keep time, 20 are fills, 1 is a stop and 3 are silent. The longest unbroken stretch of time is bars 9-14.
119 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
89 bars, about 2:58 at the written tempo. The course breaks it into 20 exercises over 5 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 20 times: bars 4, 8, 16, 18, 20, 26 and 14 more.