246 bars at 180 BPM -- fast, and 5:28 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 63-64, 67-68 and 71-72, and 21 more places -- 21.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 14 times: bars 19, 20, 51, 52, 87, 88 and 8 more.
1 more fill is written out on the fills page.
246 bars across 16 sections: 200 keep time, 14 are fills, 1 is a stop and 18 are silent. The longest unbroken stretch of time is bars 98-140.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
246 bars, about 5:28 at the written tempo. The course breaks it into 44 exercises over 14 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 14 times: bars 19, 20, 51, 52, 87, 88 and 8 more.