50 bars of 4/4 at a walking 100 BPM, 1:58 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 27-34 and 43-46 -- 25% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
1 fill to learn, played 19 times: bars 1, 2, 3, 4, 5, 6 and 13 more.
52 bars across 8 sections: 24 keep time, 19 are fills and 4 are silent. The longest unbroken stretch of time is bars 25-37.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
80 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
50 bars, about 1:58 at the written tempo. The course breaks it into 16 exercises over 6 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 19 times: bars 1, 2, 3, 4, 5, 6 and 13 more.