150 bars of 4/4 at 138 BPM, about 4:20 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 32-34, 36 and 56, and 8 more places -- 22.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 26 times: bars 1, 3, 7, 15, 23, 27 and 20 more.
13 more fills are written out on the fills page.
150 bars across 12 sections: 86 keep time, 26 are fills, 25 are stops and 2 are silent. The longest unbroken stretch of time is bars 141-149.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
150 bars, about 4:20 at the written tempo. The course breaks it into 53 exercises over 15 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 26 times: bars 1, 3, 7, 15, 23, 27 and 20 more.