756 bars of 4/4 at a walking 95 BPM, 31:59 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 561-563, 566-568 and 571-573, and 36 more places -- 17.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 29 times: bars 3, 5, 14, 188, 189, 190 and 23 more.
4 more fills are written out on the fills page.
756 bars across 43 sections: 481 keep time, 30 are fills, 66 are stops and 141 are silent. The longest unbroken stretch of time is bars 667-753.
95 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 49 out of 100; the rest of the number is everything around it.
756 bars, about 31:59 at the written tempo. The course breaks it into 103 exercises over 31 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 29 times: bars 3, 5, 14, 188, 189, 190 and 23 more.