337 bars of 4/4 at 145 BPM, about 9:26 of playing, on crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 29, 31 and 33, and 50 more places -- 20.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 37 times: bars 18, 26, 46, 48, 50, 68 and 31 more.
9 more fills are written out on the fills page.
337 bars across 27 sections: 240 keep time, 37 are fills, 10 are stops and 14 are silent. The longest unbroken stretch of time is bars 111-127.
145 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
84 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 68 out of 100; the rest of the number is everything around it.
337 bars, about 9:26 at the written tempo. The course breaks it into 84 exercises over 32 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 37 times: bars 18, 26, 46, 48, 50, 68 and 31 more.