80 bars of 6/4 -- not four -- at 74 BPM, 5:56 of playing on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 3, 6-7 and 14, and 2 more places -- 13.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 9 times: bars 11, 21, 25, 33, 37, 41 and 3 more.
4 more fills are written out on the fills page.
80 bars across 8 sections: 36 keep time, 9 are fills and 27 are silent. The longest unbroken stretch of time is bars 2-8.
74 BPM, in 6/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
80 bars, about 5:56 at the written tempo. The course breaks it into 30 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 9 times: bars 11, 21, 25, 33, 37, 41 and 3 more.