66 bars of 4/4 at a walking 91 BPM, 2:54 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 2-7, 32-35 and 63 -- 17.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 18 times: bars 8, 28, 29, 30, 38, 44 and 12 more.
3 more fills are written out on the fills page.
66 bars across 8 sections: 28 keep time, 18 are fills, 5 are stops and 4 are silent. The longest unbroken stretch of time is bars 1-7.
91 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
66 bars, about 2:54 at the written tempo. The course breaks it into 28 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 18 times: bars 8, 28, 29, 30, 38, 44 and 12 more.