143 bars of 4/4 at 145 BPM, about 3:57 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 12-26, 54-68 and 112-118 -- 26.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 29 times: bars 10, 11, 35, 38, 39, 43 and 23 more.
3 more fills are written out on the fills page.
143 bars across 12 sections: 97 keep time, 30 are fills, 2 are stops and 1 is silent. The longest unbroken stretch of time is bars 13-26.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
143 bars, about 3:57 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 29 times: bars 10, 11, 35, 38, 39, 43 and 23 more.