133 bars of 4/4 at 145 BPM, about 3:38 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 12-13, 16-17 and 38-39, and 8 more places -- 15.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 54 times: bars 5, 6, 7, 8, 9, 10 and 48 more.
10 more fills are written out on the fills page.
133 bars across 13 sections: 56 keep time, 54 are fills, 6 are stops and 1 is silent. The longest unbroken stretch of time is bars 73-80.
145 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
133 bars, about 3:38 at the written tempo. The course breaks it into 49 exercises over 15 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 54 times: bars 5, 6, 7, 8, 9, 10 and 48 more.