114 bars of 4/4 at a walking 82 BPM, 5:51 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 18-19, 22 and 36-37, and 3 more places -- 8.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
1 fill to learn, played 53 times: bars 1, 2, 3, 4, 5, 6 and 47 more.
1 more fill is written out on the fills page.
121 bars across 8 sections: 44 keep time, 53 are fills and 16 are silent. The longest unbroken stretch of time is bars 69-79.
82 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
87 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 100 out of 100; the rest of the number is everything around it.
114 bars, about 5:51 at the written tempo. The course breaks it into 25 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 53 times: bars 1, 2, 3, 4, 5, 6 and 47 more.