113 bars at 190 BPM -- fast, and 2:23 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 90-95, 99 and 101, and 4 more places -- 10.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 20 times: bars 19, 20, 25, 28, 29, 37 and 14 more.
8 more fills are written out on the fills page.
113 bars across 8 sections: 75 keep time, 20 are fills, 8 are stops and 1 is silent. The longest unbroken stretch of time is bars 98-111.
190 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
113 bars, about 2:23 at the written tempo. The course breaks it into 48 exercises over 16 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 20 times: bars 19, 20, 25, 28, 29, 37 and 14 more.