141 bars of 4/4 at 120 BPM, about 4:42 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 52, 54 and 56, and 18 more places -- 14.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 34 times: bars 1, 9, 10, 11, 19, 27 and 28 more.
8 more fills are written out on the fills page.
141 bars across 12 sections: 88 keep time, 34 are fills and 4 are stops. The longest unbroken stretch of time is bars 100-106.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
141 bars, about 4:42 at the written tempo. The course breaks it into 43 exercises over 10 sittings, about 30 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 34 times: bars 1, 9, 10, 11, 19, 27 and 28 more.