127 bars, 6:43, at 75 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 11, 22 and 26, and 7 more places -- 8.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 30 times: bars 5, 6, 7, 8, 9, 19 and 24 more.
15 more fills are written out on the fills page.
127 bars across 13 sections: 70 keep time, 30 are fills and 13 are silent. The longest unbroken stretch of time is bars 74-82.
75 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
127 bars, about 6:43 at the written tempo. The course breaks it into 56 exercises over 18 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 30 times: bars 5, 6, 7, 8, 9, 19 and 24 more.