121 bars, 7:01, at 69 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 7-21, 23-29 and 31-33, and 17 more places -- 80.3% of every bar the kit plays. Learn that one and the song is very nearly finished.
7 fills to learn, played 12 times: bars 5, 6, 22, 34, 54, 70 and 6 more.
3 more fills are written out on the fills page.
121 bars across 3 sections: 78 keep time, 12 are fills, 26 are stops and 4 are silent. The longest unbroken stretch of time is bars 9-21.
69 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
121 bars, about 7:01 at the written tempo. The course breaks it into 13 exercises over 4 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 5, 6, 22, 34, 54, 70 and 6 more.