48 bars of 4/4 at a walking 85 BPM, 2:16 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
The beat the song is built on is one bar, played through bars 5, 9 and 13, and 3 more places -- 18.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 19 times: bars 8, 12, 14, 15, 16, 23 and 13 more.
2 more fills are written out on the fills page.
48 bars across 5 sections: 20 keep time, 19 are fills and 4 are silent.
85 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
48 bars, about 2:16 at the written tempo. The course breaks it into 20 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 19 times: bars 8, 12, 14, 15, 16, 23 and 13 more.