343 bars of 4/4 at 120 BPM, about 11:20 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 49-56, 61-64 and 93-96, and 18 more places -- 27.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
14 fills to learn, played 41 times: bars 10, 12, 14, 39, 48, 59 and 35 more.
10 more fills are written out on the fills page.
343 bars across 26 sections: 184 keep time, 42 are fills, 91 are stops and 3 are silent. The longest unbroken stretch of time is bars 22-38.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
343 bars, about 11:20 at the written tempo. The course breaks it into 79 exercises over 20 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 41 times: bars 10, 12, 14, 39, 48, 59 and 35 more.