193 bars of 4/4 at 115 BPM, about 6:44 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 6, 8-17 and 19-20, and 12 more places -- 22% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 10 times: bars 42, 43, 63, 77, 100, 118 and 4 more.
3 more fills are written out on the fills page.
193 bars across 16 sections: 121 keep time, 10 are fills, 30 are stops and 20 are silent. The longest unbroken stretch of time is bars 147-169.
115 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
193 bars, about 6:44 at the written tempo. The course breaks it into 49 exercises over 13 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 10 times: bars 42, 43, 63, 77, 100, 118 and 4 more.