119 bars of 4/4 at a walking 80 BPM, 5:56 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 15, 17 and 74, and 10 more places -- 13.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 25 times: bars 10, 25, 26, 38, 46, 50 and 19 more.
14 more fills are written out on the fills page.
119 bars across 11 sections: 67 keep time, 25 are fills and 20 are silent. The longest unbroken stretch of time is bars 27-37.
80 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 36 out of 100; the rest of the number is everything around it.
119 bars, about 5:56 at the written tempo. The course breaks it into 48 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 25 times: bars 10, 25, 26, 38, 46, 50 and 19 more.