50 bars of 4/4 at a walking 80 BPM, 2:36 of playing, on crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 16-21 and 24 -- 18.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 11 times: bars 13, 14, 22, 25, 26, 27 and 5 more.
1 more fill is written out on the fills page.
50 bars across 6 sections: 20 keep time, 11 are fills, 2 are stops and 13 are silent. The longest unbroken stretch of time is bars 16-21.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
50 bars, about 2:36 at the written tempo. The course breaks it into 20 exercises over 6 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 11 times: bars 13, 14, 22, 25, 26, 27 and 5 more.