447 bars at 212 BPM -- fast, and 8:24 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 25-32, 92-98 and 100-106, and 13 more places -- 19.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
1 fill to learn, played 12 times: bars 136, 137, 140, 141, 243, 244 and 6 more.
447 bars across 38 sections: 238 keep time, 13 are fills, 133 are stops and 29 are silent. The longest unbroken stretch of time is bars 199-218.
212 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
447 bars, about 8:24 at the written tempo. The course breaks it into 62 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 12 times: bars 136, 137, 140, 141, 243, 244 and 6 more.