138 bars of 4/4 at a walking 100 BPM, 5:28 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-7, 9-11 and 14-16, and 13 more places -- 34.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 15 times: bars 12, 21, 38, 39, 46, 55 and 9 more.
3 more fills are written out on the fills page.
138 bars across 6 sections: 111 keep time, 15 are fills, 2 are stops and 3 are silent. The longest unbroken stretch of time is bars 116-138.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 70 out of 100; the rest of the number is everything around it.
138 bars, about 5:28 at the written tempo. The course breaks it into 28 exercises over 10 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 15 times: bars 12, 21, 38, 39, 46, 55 and 9 more.