58 bars, 3:16, at 71 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 14, 16-17 and 30, and 1 more place -- 11.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 26 times: bars 13, 15, 17, 18, 19, 20 and 20 more.
6 more fills are written out on the fills page.
58 bars across 6 sections: 18 keep time, 26 are fills, 5 are stops and 4 are silent. The longest unbroken stretch of time is bars 5-8.
71 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 91 out of 100; the rest of the number is everything around it.
58 bars, about 3:16 at the written tempo. The course breaks it into 27 exercises over 10 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 26 times: bars 13, 15, 17, 18, 19, 20 and 20 more.