98 bars of 4/4 at 150 BPM, about 2:37 of playing, on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 21-25, 27 and 50-54, and 9 more places -- 29.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 7 times: bars 57, 58, 62, 66, 81, 89 and 1 more.
98 bars across 9 sections: 76 keep time, 7 are fills and 4 are silent. The longest unbroken stretch of time is bars 5-18.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
98 bars, about 2:37 at the written tempo. The course breaks it into 27 exercises over 10 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 7 times: bars 57, 58, 62, 66, 81, 89 and 1 more.